City Opera: Manuela Hoelterhoff nails its demise

Bloomberg News’ arts site has a funny (and sad to say fair) take down of the NYCO fiasco. Yes, George Steele was a mistake, but somebody did hire him and stand by him.

From her post “Anyone taking responsibility for killing City Opera?”:

….

But to end as a two-bit touring company expiring in the wake of a pathetic Kickstarter campaign really stretches my suspenders of disbelief.

That’s what happened after George Steel, the over-parted general director, extracted the company from Lincoln Center before securing another stage. City Opera began rolling through the boroughs like clown Canio and his tragic retinue.

Sills, Caldwell, and Rudel
NYCO Opera as it once was, Beverly Sills, Sarah Caldwell, and Julius Rudel pictured in 1976, the year of my first opera there, which left me wide-eyed with wonder.  

 

Poetic Words: Clive James Translates Dante

Dante scholar Peter Hainsworth reviews a new translation of The Divine Comedy in the 10/4 TLS. Hainsworth notes that the poet Clive James, helpfully married to a noted Dante scholar, Prue Shaw, has made (to me) a novel effort to solve the vexing problems of footnotes (how much do you explain, and how do you keep the reader’s experience fluid if apparatus at the bottom of the page keeps interrupting?) And in Dante, there is a lot of context to explain and puzzle over.

From the review:

James solves the puzzles by taking information of all sorts–cultural, historical, doctrinal or simply clarificatory–that he thinks the reader needs “out of the basement and putting it on display in the text.” In other words material that usually appears in the notes becomes part of what Dante himself says, a kind of self-glossing inseparable from the fabric of the whole.”

An interesting idea. And it appears, from the small tidbit Hainsworth quotes, that Clive’s version is a good read; here’s the opening of one canto:

Six thousand long miles eastward it is noon.Clive James' translation of The Divine Comedy

Here night is ending. The Earth’s shadow lies

Level in bed, and in the mid-sky, soon,

Deep up above us, to our searching eyes,

A change will come: the odd star disappears,

The handmaid of the sun approaches. One

By one the sky’s lights shut down as she nears,

Even the loveliest, and it is done:

The new day dawns.

Near the end of the review comes this summing up, “[This translation] is energetic, informative, alive, at times attention-seizing, and for the most part actually enjoyable. Its overall readability gives it a much better chance than most of launching newcomers into Dante’s difficult waters and of keeping their boats afloat for longer.”

The Barricades of October

Clear Autumn in the Mountains of Chu
Clear Autumn in the Mountains of Chu by Mi Youren

Back to poetry and music, to wit: a couple of things in an October mood:

First, an excerpt from Basho’s “The Records of a Travel-worn Satchel”–a travel book with haiku.

It was early in October when the sky was terribly uncertain that I decided to set out on a journey. I could not help feeling vague misgivings about the future of my journey, as I watched the fallen leaves of autumn being carried away by the wind.

From this day forth
I shall be called a wanderer,
Leaving on a journey
Thus among the early showers.

You will again sleep night after night
Nestled among the flowers of sasanqua.

And second, a reprise of a bit of Couperin that I’ve posted before, (not sure why this strikes me as autumnal, maybe because of its evocative melody?) “The Mysterious Barricades.”  Here is a good performance and an explanation of the enigmatic title from Philippe Radault.
Philippe Radault

The nights are finally cool in Washington, and the leaves are turning.

Lives of the Books, Books of Our Lives

Design Observer has an graceful piece by Nancy Levinson on the transition, if that’s the right term, from book as physical thing to book as a digital object. She opens quoting Walter Benjamin waxing rhapsodic about his library.

I am unpacking my library. Yes, I am. The books are not yet on the shelves, not yet touched by the mild boredom of order. … I must ask you to join me in the disorder of crates that have been wrenched open, the air saturated with the dust of wood, the floor covered with torn paper, to join me among piles of volumes that are seeing daylight again after two years of darkness, so that you may be ready to share with me a bit of the mood — it is certainly not an elegiac mood but, rather, one of anticipation — which these books arouse in a genuine collector.
— Walter Benjamin, “Unpacking My Library (PDF)

(For me, the passage evokes that “used bookstore smell,” and a familiar feeling, for somebody who has lugged books around all his life.)

Levinson goes on to hit most of the familiar notes in this topic, taking off from the lens of an exhibit about architects‘ favorite books, which is also a book itself. Most of her survey is familiar: affordances of digital v. print, paradigms, with Gutenberg, as technological enabler of Republic of Letters release 1, posing questions about what Republic of Letters v. 2 will be?

She did link to a lively, if a tad obvious piece in Slate that makes the uncontroversial (to me at least) point that in some aspects, journalism has never been better. More choice, more context, depth, multiplicity of perspectives, etc. I’ve heard that line a lot, it it’s true; although it leaves unanswered the question about investigative journalism and other labor intensive types–is that increasing or is it becoming a different beast, with individual hackers as latter day Woodward and Bernstein? It is opinion journalism’s golden age, for sure. (This message brought to you by WordPress!)

But looping back to Levinson, she asks the always useful question: what if the thing we are stewing so much about isn’t a big deal after all?

Her closing:

So here’s a thought experiment: What if we just agreed that the limited and unpredictable commercial potential of ambitious work is not actually a problem?

To wit: perhaps it’s okay if book production, or news production for that matter, goes away in some present forms to be replaced by something new, that living through Gutenberg 2.0 means that’s just what happens?

Walter Benjamin at a Paris Library
Walter Benjamin at a Paris Library

Poetic Words: Two War Poems of Robert Graves

Goodbye to All ThatI’ve just finished Good-bye to All That, the autobiography of poet and classicist Robert Graves (an anchor paperback purchased for a book club meeting 26 years ago. Didn’t go to the bc meeting as I hadn’t read the book–book clubs are too regimented for me usually.) Groves wrote it in 1929, when he was in his early 30’s, and much of it is candid, unvarnished description of his WWI service.  Like Siegfried Sassoon, his good friend and fellow war poet, he came to see the war, its aftermath, with a grim patriotic disgust. He was a good soldier, and proud of his service in some ways. But also thought it was a terrible waste, and resolved nothing.
 
It’s  an engrossing read, like opening up a box of photos from your great grandparents, and sent me looking for his poetry–which it seems he wrote even while in the trenches in France. Here are two.

 

RETROSPECT: THE JESTS OF THE CLOCK.

He had met hours of the clock he never guessed before—
Dumb, dragging, mirthless hours confused with dreams and fear,
Bone-chilling, hungry hours when the gods sleep and snore,
Bequeathing earth and heaven to ghosts, and will not hear,
And will not hear man groan chained to the sodden ground,
Rotting alive; in feather beds they slumbered sound.

When noisome smells of day were sicklied by cold night,
When sentries froze and muttered; when beyond the wire
Blank shadows crawled and tumbled, shaking, tricking the sight,
When impotent hatred of Life stifled desire,
Then soared the sudden rocket, broke in blanching showers.
O lagging watch! O dawn! O hope-forsaken hours!

How often with numbed heart, stale lips, venting his rage
He swore he’d be a dolt, a traitor, a damned fool,
If, when the guns stopped, ever again from youth to age
He broke the early-rising, early-sleeping rule.
No, though more bestial enemies roused a fouler war
Never again would he bear this, no never more!

“Rise with the cheerful sun, go to bed with the same,
Work in your field or kailyard all the shining day,
But,” he said, “never more in quest of wealth, honour, fame,
Search the small hours of night before the East goes grey.
A healthy mind, a honest heart, a wise man leaves
Those ugly impious times to ghosts, devils, soldiers, thieves.”

Poor fool, knowing too well deep in his heart
That he’ll be ready again if urgent orders come,
To quit his rye and cabbages, kiss his wife and part
At the first sullen rapping of the awakened drum,
Ready once more to sweat with fear and brace for the shock,
To greet beneath a falling flare the jests of the clock.

TO ROBERT NICHOLS

(From Frise on the Somme in February, 1917, in answer
to a letter saying: “I am just finishing my ‘Faun’s
Holiday.’ I wish you were here to feed him with
cherries.”)

Here by a snowbound river
In scrapen holes we shiver,
And like old bitterns we
Boom to you plaintively:
Robert how can I rhyme
Verses for your desire—
Sleek fauns and cherry-time,
Vague music and green trees,
Hot sun and gentle breeze,
England in June attire,
And life born young again,
For your gay goatish brute
Drunk with warm melody
Singing on beds of thyme
With red and rolling eye,
All the Devonian plain,
Lips dark with juicy stain,
Ears hung with bobbing fruit?
Why should I keep him time?
Why in this cold and rime,
Where even to dream is pain?
No, Robert, there’s no reason:
Cherries are out of season,
Ice grips at branch and root,
And singing birds are mute.

Good-bye to All That also has some good writing advice (for which I’m always on the lookout, of course).

“My last memory [of Charterhouse School] is the Headmaster’s parting short: ‘Well, good-bye, Graves, and remember that your best friend is the waste-paper basket.’ This has proved good advice, though not perhaps in the sense he intended: few writers seem to send their work through as many drafts as I do.”

Lovely that “send their work,” as if each paragraph was going on a little walk, or more likely a rafting trip.

Thoughtful Words: Can Journalism Survive on a Non-Profit Basis

As traditional journalism (meaning: newspapers) fade away, one rescue scheme is to convert them into non-profits. Oops, they are already “non-profits” under an ordinary definition of that term, I guess I mean “not for profits,” that is, charities.

There’s been some interesting research (by foundations) about what’s going on and whether it’s viable. Reporting out of NPQ, Ruth McCambridge gives a thoughtful round up, with links to reports from Pew and Knight, two foundations who have been involved with this issue.

“…[An] excellent recent Pew study, “Nonprofit Journalism: A Growing but Fragile Part of the U.S. News System,” looked at 172 nonprofit news sites and found that many of these organizations still relied to a fairly significant extent on only a few sources, including grant funding from a foundation or major donor.

Now, the Knight Foundation is preparing to publish another study, titled “Finding a Foothold: How Nonprofit News Ventures Seek Sustainability.” This report, scheduled for release in October, has made a bit of a breakthrough in that it shows patterns of revenue by type of operation, along with other comparative data. As one participant in the roundtable said, this type of information is like gold to those struggling to make sense of an emerging enterprise model.

The journalism groups that attended and were under discussion had annual budgets that were as small as $165,000 (Oakland Local) and as large as $10 million (ProPublica and Center for Investigative Reporting). They were divided generally into three categories—national, statewide, and local—with a few outliers, like NPQ, that addressed particular communities of interest, and more established groups, like NPR. But most were fairly new, and primarily online, publishers. Some engaged heavily in investigative work, but these seemed to be organizations with larger capital investments from individuals or foundations. A number of foundations were also represented, including the Bill and Melinda Gates Foundation, the Knight Foundation, and the MacArthur Foundation.

Later in the same piece, an interesting observation on how the results of investigative journalism might now be “chunked.”

So, the traditional method of doing an investigative project is to work, work, work, work, work, gestate, gestate, gestate, give birth to this big thing when it comes out, and then go take a nap, right? That’s fine, but what you’re seeing more and more of, and partly out of the same necessity, is the rolling investigation kind of thing. The work is not less important, and you don’t do less. The impact isn’t different in the end. But you’re breaking this into pieces as you go along, and there’s a sustained constant hit.

Crudely put, the Internet makes what once were “scoops” into a “beat.” (Although Watergate was surely a “beat” and a rolling investigation.) Still, does point out (the obvious) that the rhythm of reporting is changed wholesale by digital media, print newsrooms no longer scale in the “supply chain” as the chunks aren’t daily, but instantaneous. And the “desks” that have to be staffed, are feeding twitter streams, not the next day’s first print edition.

McCambridge quotes Michael Maness, Knight’s Foundation (big funder of new journalism) saying (journalists at least) not become “addicted to the continuous now.” That horse has left the stable, however.

Tombstone Daily Epitaph
The now very apt title of an Arizona paper (scan of an 1889 front page).

Beautiful Music: VADC’s “My Favorite Song” Series

Vocal Arts DC, the Washington-based art song series, has started  a new Web/FB feature called “My Favorite Song.” General Director (and voice expert extraordinaire) Peter Russell is asking people to share their favorite classical song and explain why. He leads off with his selection, F. Paolo Tosti’s Ideale, arch-romantic yumminess, beloved by a certain type of tenor, and Peter’s ideal ‘Ideale.’

Some of you will know just from the photo of course:
My Favorite Song, #1 Singer

I’ve been a support of VADC from the beginning, and the program annotator for 20 plus years. Watch this space for a “My Favorite Song” entry of my own before long. And here’s hoping you have time to listen to an old or new favorite song today.

Reasonable Words: Frank Talk on Start Ups

Finally read Paul Graham’s candid talk on start ups (the one that gets passed around from college kid to college kid in CS depts.) Candid, funny and insightful; herewith a couple of choice bits:

Graham On Having A User Focus

I learned something valuable from that [changing to user focus]. It’s worth trying very, very hard to make technology easy to use. Hackers are so used to computers that they have no idea how horrifying software seems to normal people. Stephen Hawking’s editor told him that every equation he included in his book would cut sales in half. When you work on making technology easier to use, you’re riding that curve up instead of down. A 10% improvement in ease of use doesn’t just increase your sales 10%. It’s more likely to double your sales.

How do you figure out what customers want? Watch them. One of the best places to do this was at trade shows. Trade shows didn’t pay as a way of getting new customers, but they were worth it as market research. We didn’t just give canned presentations at trade shows. We used to show people how to build real, working stores. Which meant we got to watch as they used our software, and talk to them about what they needed.

Dilbert

As usual, Scott Adams got there first.

….. And later on…Graham on Flying Low

Another way to say that is, if you try to start the kind of startup that has to be a big consumer brand, the odds against succeeding are steeper. The best odds are in niche markets. Since startups make money by offering people something better than they had before, the best opportunities are where things suck most. And it would be hard to find a place where things suck more than in corporate IT departments. You would not believe the amount of money companies spend on software, and the crap they get in return. This imbalance equals opportunity.

Lots of interesting things, even for somebody like me who had and has no thought of being involved in a start up (despite friends who are thriving in them). I was particularly struck by his bursting of the myth that the initial idea itself has to be so jaw-droppingly amazing; it’s enough just to make some technology suck slightly less. And speaking as a former business IT person for two small companies, his words about corporate IT ring true. So much money and so much time for software that at its best is only not totally borked.

The entire talk is well worth reading if this world interests you at all.

And if you would rather just laugh, there’s always “the start up guys.”

Screen Shot 2013-10-02 at 10.37.41 AM

 

Quotable Words: WAS I, WAS II, and WAS III

Nice piece on answering the “who said that?” question, by Corey Robin in The Chronicle.

The Wrongly Attributed Statement makes you realize what a battleground a quotation can be. On the one hand, men and women invoke the authority of the great and the good to lend a little heft to their favored sayings. On the other hand, pedants like me rely on the authority of a different great and good in order to take that heft away. They have their Web sites, I have mine (Quote Investigator, which is run by Garson O’Toole, the nom de plume of a Yale Ph.D., is the best; Fred Shapiro’s Yale Book of Quotations is the most comprehensive and reliable source in print, and it makes the most use of online resources.) The quotation is a struggle over expertise, pitting the seemingly tutored against the seemingly untutored but revealing how dependent we all are on the authority of people whom we think—or hope—know better.

Wordl quote box
As Mark Twain (I think) said, “It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so.”

I did quote duty a lot in my life, as a legislative & news researcher, and a library nerd in general. But I didn’t have a patch on my mother, who for many years answered press inquiries for the Library of Congress’ Information Office. There is something strangely compelling about getting to the bottom of a hard to pin down quote. You could start a site up for these slippery characters. Corey has a couple, and I would add “From each according to his ability to each according to his need,” attributed to lots of people, among them Marx, but seemingly going back to maybe The Bible.

Tipped by the reliable Library Link of the Day.