Saw a wonderful exhibition at Washington’s Sackler Museum (part of the Smithsonian), “The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts”
The artifacts themselves are stunning examples of book art–appreciators of the idea of craft will be engrossed–and the organization and copy of the exhibit is an elegant balance of viewpoints, culture and context. Lovely to be there on a busy day (Chinese New Year celebrations were also going on, with lots of kids bustling around) and to hear people discussing linguistic history and also praying. D.C. at its best with the diversity of the world sharing awe and delight.
Also, should you be so inclined, the Smithsonian has created a related free iPad App. A good idea for these works, which are the ultimate in intricate & beautiful detail.
Great lead to a piece about a new bio of an unknown (at least to me) British primativist painter and embroider, John Craske,
In the final pages of The Rings of Saturn, W.G. Sebald imagined ‘the depths of despair into which those can be driven who, even after the end of the working day, are engrossed in their intricate designs and who are pursued, into their dreams, by the feeling that they have got hold of the wrong thread’. Sebald was talking about weavers, but the feeling must be common to all sorts of artists, and to researchers, too. Getting hold of the right thread when you’re trying to find out about a life or anything else is a matter of luck: you don’t know what will lead somewhere useful or join up with other threads until it does. Every time you look back over fruitless archive searches, unhelpful conversations, dead addresses, unanswered emails, the intricate design you’ve imagined becomes pointless or malign and you feel like abandoning the project altogether. I don’t know of many books that give a better sense of the frustrations and excitement of research than Julia Blackburn’s account of her attempt to find out about John Craske.
Not sure if artists feel this way, but as a researcher, it rings true. More about Craske here; the LRB review–lovely piece–is behind the firewall.
Check out this fascinating 1922 diagram of the long gone Washington Star‘s building on Penn. Ave in DC. Linked from “Ghosts of DC” where you can find the full file with amazing detail. Quite a sizable library! But the noise from the linotype room, just above the writers, must have been intense–and I assume the whole building shook when the presses were running. Not something that happens with a blog, alas.
A fascinating short about the restoration of Tullio Lombardo’s Adam, a Renaissance sculpture that crashed into hundreds of pieces 12 years ago at the Met. The restoration, which looks astonishing, involved materials science, 3-D imaging, and engineering innovation.