I grew up with pianos. For a Midwesterner of my era, pianos and piano lessons were a given of a middle-class childhood. The same for my parents: although one was a city kid, born and reared on the South Side of Chicago, and the other from rural Indiana, both had pianos in the house. My mother was a life-long amateur pianist sufficiently accomplished to accompany my father’s pleasant baritone in show music and the occasional operatic aria. After I learned myself at age 10 or so, I became the relief accompanist.
This do-it-yourself approach to musical activity was (and is) such a commonplace in my life that it makes me catch a breath to realize that it’s vanishing. “Playing” music now, for the vast majority, probably means pressing a button on a digital device, rather than a key on a piano. The piano, at least for amateurs, is on its way to be a specialized hobby or nostalgic memory (along the lines of the Ford Model T, about which E.B. White wrote a wonderful elegiac essay).
Perhaps it’s inevitable. After all, the piano’s salad days predate my childhood and that of my parents and grandparents too. It was really the musical paragon of 19th century, that era of Franz Liszt’s superstardom. The piano was the social and cultural engine of Romantic music and had a dominance that is hard to imagine now.
Things change of course and I’ve come across two stories that report on the inevitable:
“It’s not easy to silence the room at Martuni’s. But she does. The tall, pretty, and painfully young woman ambles up to Monday night pianist Joe Wicht and asks if he knows “Over the Rainbow?” Wicht, a wickedly funny man who, moments earlier threatened to “revoke the gay cards” of anyone who didn’t sing along to “We Are Family,” is at a rare loss for words. Asking a middle-aged, gay musician at a piano bar teeming with gay musicians if he knows the most famous of all Judy Garland songs is akin to asking the waiter at a Chinese restaurant if he serves rice and tea. Incidentally, Wicht does know “Over the Rainbow,” and the young singer pulls it off. Were a Munchkin in the house, he might thank her very sweetly, for doing it so neatly.”
I think there is one piano bar left in Boston, but dBar isn’t it. Good food, yes, but musicals sing along night is to karaoke, and peopled by people (like the woman above at Martuni’s) who won’t be knowing their Sondheim from their Weill.
And the opposite of survival: Daniel Watkin’s report from the NYTimes, For More Pianos, Last Note Is Thud in the Dump on what happens to the pianos that are left behind. (I was grateful to find a happy home for my upright in my recent move; that said: it is an object, not a living thing, and the piano I’m contemplating now is electronic, that is, until I have quarters big enough for my uncle’s mostly unplayed Baldwin grand.)
The site, a trash-transfer station in this town 20 miles north of Philadelphia, is just one place where pianos go to die. This kind of scene has become increasingly common.
“We bust them up with a sledgehammer,” said Jeffrey Harrington, the owner of Harrington Moving & Storage in Maplewood, N.J.
A striking find reported on the Times’ photography blog, Lens, (one that is new to me.)
From the curator:
“I came across this small little album in this plastic bag. … Nothing on the cover — I opened it up and even seeing the typed page, I was immediately taken by it. When you look at the pictures, you realize it’s something really spectacular and very different from the many things you’ve encountered when you look at photographic albums……You really have to slow down and start to think about what it means, what good pictures mean and what constitutes as a good picture.”
As noted below, good mistakes are a key to career success (at least in Daniel Pink’s view). He would be in accord with Melvin Cohn, the emeritus Salk Institute immunologist who reflects on the same thing (but in a different context).
I now appreciate how much I learn by being wrong; I can change my mind when confronted with a rational argument, without the need to have the change appear to be purely semantic or to hope it will pass unnoticed. What must it be like to be a priest, general, bureaucrat, lawyer, medicine person, or politician who is never permitted to be wrong? No wonder they learn so slowly. I am grateful to be in a profession where, at least in my view, the realization of being wrong is equivalent to an increase in knowledge.
This is from an article called “The Wisdom of Hindsight,” from the Annual Review of Immunology 12:1-62, 1994, and comes in the context of Cohn’s recollection of visits to the Salk Institute by the philosopher Karl Popper, who spent the winter of 1966 there. They had lunch together every day.
The Museum invited firms and individuals to sponsor, design, and construct a hole with a building-related theme inspired by an actual building, bridge, landscape, or monument—or a completely fanciful one.
The following organizations and individuals answered the call, and their ingenuity will be on display all summer. Many have teamed up with other building industry professionals to make their hole as dynamic as possible. To stir the team’s competitive juices, the Museum will present a Best in Show award determined by a jury of design experts, and players will vote for People’s Choice.
Pictures to come after my championship round later this summer.
These lines of Frank O’Hara keep coming back to me as we hunt for a new place:
“I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally regret life.”
Me too. My word problem for the perfect apartment involves drawing a polygon with points joining a public library, a coffee shop, a movie theater, subway stop, and a place to go on a long walk. Fill in the area, and put a dot more or less in equidistant from all the points. That’s where we want to live. The rub is, for city people at least, that’s where we all want to live, and the premium is high.
Walk Score does a version of this (although its algorithms are a little shaky). But there’s something missing, that sense of how you feel about a neighborhood as you leave or come back to your place. As an architect friend of mine points out, this is perhaps the most important ingredient, and one, unlike the inside of your home, that you have very little influence over.
For any digital producers out there: herewith a list of sources that can help you keep up with the mad pace of change. Culled from a LinkedIn discussion and other sources.
Blurbs are from their “about” paragraphs. Links valid as of 7/25/2012.
http://5by5.tv/ “5by5 is an Internet broadcasting network, home to shows like The Talk Show, Back to Work, The Big Web Show, The Pipeline, and more, with hosts including Dan Benjamin, John Gruber, Merlin Mann, and Jeffrey Zeldman.”
http://5by5.tv/webahead ” weekly podcast about changing technologies and the future of the web, discussing HTML5, mobile, responsive design, iOS, Android, and more.”
http://allthingsd.com/ “AllThingsD.com is a Web site devoted to news, analysis and opinion on technology, the Internet and media. But it is different from other sites in this space. It is a fusion of different media styles, different topics, different formats and different sources. (owned by Dow Jones/Wall Street Journal.)
http://arstechnica.com/ “A trusted source for technology news, tech policy analysis, breakdowns of the latest scientific advancements, gadget reviews, software, hardware, and nearly everything else found in between layers of silicon.”
http://mashable.com/ “Mashable is the largest independent news source dedicated to covering digital culture, social media and technology.”
http://nerdrepublic.co.uk “A weekly newsletter from a group of like-minded uber-nerds who share a passion for digital – condensing everything worthy of your eyeballs from across the interwebs into one, neat, weekly email. Expect lashings of gaming, tech wizardy, obscure virals and the occasional fanboy music video.”
http://teamtreehouse.com/ “Our goal is to teach Web Design, Web Development and iOS, to everyone in the World who wants to learn. ”
http://www.alistapart.com/ “A List Apart Magazine (ISSN: 1534-0295) explores the design, development, and meaning of web content, with a special focus on web standards and best practices.”
http://www.cynopsis.com/editions/digital/ “The goal of Cynopsis: Digital is to help readers stay up-to-date with the rapidly ever-changing Digital Platform. Television is reinventing itself to satisfy Consumer demand of their favorite content to be available on a variety of platforms, in a variety of formats. “
http://www.digitalbuzzblog.com/ “Featuring the latest digital ad campaigns, hot new websites, interactive marketing ideas, virals, industry news, social media, insights, and other great digital trends from all over the world.”
http://www.fastcodesign.com/ “Our focus is on highlighting the world’s best examples of design and innovation, working in concert. We started this site with a few simple premises in mind. First, design is a window onto the world at large, and the culture we live in.”
http://www.gizmodo.com.au/ “Gizmodo loves technology. A lot. We’re obsessed with the gadgets, science and geek culture that change the way we live, work, love, eat, play, think and feel.”
http://www.lynda.com/“lynda.com helps anyone learn software, creative, and business skills to achieve personal and professional goals.”
http://www.mediapost.com/publications/MediaPost Communications is an integrated publishing and content company whose mission is to provide a complete array of resources for media, marketing and advertising professionals.
http://www.smartbrief.com/news/iab/(Interactive Advertising Bureau) “The premise behind SmartBrief is simple: there’s too much information out there and too little time in the day to read it all. Our editors hand-pick the most relevant and important news from all over, summarize it, link to the original sources and deliver it.” (Service covers multiple industries, including other tech topics.)
A street map made up of over 900 film titles including cinema classics such as Lost Highway, On the Waterfront, Jurassic Park, Reservoir Dogs, Carlito’s Way, Nightmare on Elm Street, Valley of the Dolls and Chinatown.
The Map, which is loosely based on the style of a vintage Los Angeles street map has its own Hollywood Boulevard and includes districts dedicated to Hitchcock and Cult British Horror movies. Like most cities it also has its own Red Light area. There’s an A-Z key at the base of the Map listing all the films featured with their release dates and names of the directors.
They’ve got a sense of humor, among other things putting “Grindhouse” at the end of “Howards End.” But what the hell is “The Mole Man of Belmont Ave?”
Daniel Pink (he of the remarkable RSA video on motivation) has written a manga career guide with art by Rob Ten Pas, and it’s very good. The protagonist, Johnny Bunko, is a creative type stuck in an accounting job he’s terrible at. Enter magic chopsticks and a kind of tough love career genie (to be played by Angelina Jolie in the film I bet). Johnny gets six work and life lessons. Good advice, engagingly delivered:
At the risk of shooting fish in a barrel, I provide this company blurb found at the bottom of a job listing:
“… is an Emmy-nominated media company driving the creative revolution in interactive television through solutions that break through the “fourth wall” to engage audiences, extend subscriber loyalty, and deliver census-level measurement and reporting. The company’s EBIF solutions include the Ad Widgets® end-to-end advertising system and TV Widgets® applications both of which drive viewer engagement and convenience. The AdAim™ Audience Measurement Suite offers census-level measurement of television audience activities and innovative metrics and analytics. … is a leading provider of EBIF technology platforms for Cisco, Motorola, and tru2way set-top boxes and the cloud-based AirCommand™ gateway that connects external devices to digital cable set-top boxes. … products and technology are distributed through partnerships with Comcast Media Center, Time Warner Cable, Charter Communications, Bright House Networks, Rovi, Motorola Mobility, DISH Network, and several smaller operators. …
I assume it’s akin to a “dog whistle,” that is, people who need to know what it means can parse it. And, god knows, I have contributed a lot of organizational double speak in “corporate communications” I’ve “written,” but this bit is pretty incomprehensible to a tech civilian (even one who is a digital producer) and the bits I do understand are a little unsettling. I don’t really want my media to reach out of the device, break the fourth wall, and have a beer with me (while quietly passing all my data to Time Warner).