She goes on to evoke everything from Milton to Twitter, with her usual lightly worn, but amazing wit and erudition. The whole thing is worth a read.
From the Metropolitan Museum
The story of the Fall is one of the most enduring stories we have, and it is never fair. You could use it as a template for a certain kind of novel: put a choice in there, tip the balance, make the consequences so disproportionate we doubt our sense of cause and effect, make them suffer, make them into better human beings. Visually, the narrative is brilliantly successful, for being so easy to hold within a single frame. There is nothing static about the way the viewer sees an image of the first couple considering apples. It is a moment of great tension, and they are wearing no clothes. So, to the rules for writing a successful fiction, we might add, pretend that it is not about sex, make the world symbolic, expand the small asymmetries. Here are two human beings who are slightly, but perhaps disastrously, anatomically different. She likes something long, he likes something round – what could possibly go wrong?
The story is a riddle about authority and predestination that has survived the theological palaver of generations because, simple to the point of transparency, it is also impenetrably self-enclosed. It is held in a brilliant web of balance and contradiction by a few hundred words; so it is worth looking at those words and what they actually mean.
Just to be clear: there was no seduction. There was no devil, nor any mention of Satan, who was, at this stage, an unimportant figure. Although he played a sporadic role in the torment of Job, or in the temptation of Christ in the desert, Satan was not a mythical force before the bestiary of Revelations, and the rebellious Lucifer was some other angel until Milton came along. The idea of a great battle between light and the forces of darkness did not get going until early Christian times, possibly because this small, persecuted sect needed to find a great spiritual enemy against which to pit themselves. The creature in Genesis was just a snake, and though he was crafty, he didn’t seduce, nor did he ‘tempt’ Eve – this last term means ‘to test’ and is used only once in Genesis, when God tests Abraham, requiring the sacrifice of his son Isaac. So Eve did not tempt Adam, either, nor was he seduced by her nakedness. There is, in fact, very little sex in the story. Our readings of it are all subtext, all interpretation, all error.
A Few Reasonable Words 