Watching the terrific adaptation of Hilary Mantel’s “Wolf Hall” on Masterpiece and enjoyed the visual reference to the Holbein portrait of Thomas Cromwell (even sitting for a portrait comes with a bit of pointed political intrigue in this take on the story).
The painting itself hangs in the Frick, and is paired with that of Thomas More by the same artist. Both Anton Lesser who plays More and the dazzling Mark Rylance, the Cromwell, evoke the characters in these paintings to an extraordinary degree, a conversation about representation of history that continues.
It’s also interesting to consider the conversation between Mantel’s telling of the Thomas More story and the beloved (if now sort of 1960s ) version in A Man for All Seasons. A great feast for lovers of fine acting of an earlier era.